chantal akerman saute ma ville

Following Akerman herself running up to her flat, the film then shows her gradually making a mess of the kitchen into which she has locked herself,… Screened in 35mm. One of the boldest cinematic visionaries of the past half century, Chantal Akerman—who would have turned seventy this June—took a profoundly personal, aesthetically radical approach to the form, using it to investigate geography and identity, space and time, sexuality and alienation. The fact that Mona does not have a home, nor the necessary role of keeping someone else’s home, she is not following cultural or societal expectations. Akerman has described her first film, Saute ma ville, made when she was only 18, as her attempt to do something Chaplinesque. Saute ma ville — which can be seen as a precursor to Jeanne Dielman — follows a young woman (played by Akerman) as she frantically moves through her apartment, completing her domestic tasks in what amounts to an emotional downward spiral. Ma mère rit. They talk about coming of age, from the “tragicomic burlesque” of her first film, Saute ma ville (Blow Up My City, 1968), and the early sexual questioning of Je tu il elle (1974), both of which feature Akerman as the young woman in question, to later versions of same … Down There Chantal Akerman, 2006. For most film audiences, the name Chantal Akerman is synonymous with that of Jeanne Dielman, ... Saute ma ville, and lived briefly in New York. A yearning for the ordinary as well as the everyday runs through Chantal Akerman’s work like a recurring, plaintive refrain. Melding live music with Chantal Akerman’s written words and her short film “Blow Up My City” (“Saute ma ville“), ... A close collaborator of Chantal Akerman, Stanislas Merhar starred in her films The Captive (2000) and Almayer’s Folly (2011). Chantal Akerman’s Jeanne Dielman and Saute ma ville are both depictions of a woman’s work in the home, but portray two women who approach domestic tasks very differently. Ma mère rit. In 1971, Akerman's first short film, Saute ma ville, premiered at the International Short Film Festival Oberhausen. Preceded by Saute ma ville (Chantal Akerman, 1968, Belgium, DCP, 13 min.) Chantal Akerman. Akerman studied filmmaking in Brussels but, finding it too didactic, left after a term. Owen Gwynne Vince. Belgian director Chantal Akerman's darkly comedic 1968 debut sees her trash a tiny kitchen. 1968, när hon var arton år, var det premiär för hennes första film, kortfilmen Saute ma ville. Find movie and film cast and crew information for Saute Ma Ville (1968) - Chantal Akerman on AllMovie Chantal Akerman’s first short film was called Saute Ma Ville, which means, roughly, “blow up my town.”She made it when she was 18. That year, she moved to New York City, where she remained until 1972. Merhar was discovered by Dominique Besnehard in 1996 during an open casting call. Her first film, 'Saute Ma Ville' (Blow Up My City), was a 13-minute black-and-white short that she made at age 18. Chantal Akerman’s decision to become a film-maker was sparked by seeing Jean-Luc Godard’s Pierrot le Fou, 1965. It is fifty years ago this September since Chantal Akerman made her first film. Revisiting the filmmaker's rebellious female gaze, from 'Saute ma ville' to 'No Home Movie' I never had a sense of nationalistic pride, but for Chantal Akerman I can make an exception. She partially subsidized her short film by trading diamond shares on the Antwerp stock exchange. Play. 1968 ‘Saute ma ville’ Directed by Chantal Akerman Synopsis A young girl shuts herself away in her apartment and goes about her business in a strange way, as she wastes the night in the kitchen – humming all along. Author: Chantal Akerman. 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